2020年,C MUSICAL最終上演
#2019 兩廳院最熱門小型演出 TOP4
#台灣首齣授權海外原創音樂劇
#2018 韓國大邱國際音樂劇節「最佳女主角」、「最佳海外音樂劇」、「DIMF大賞」入圍
❤️12/17-26 @國家兩廳院實驗劇場
https://cmusical.pse.is/Q7SFG
Single, not ALONE
單身不孤單,獨角不簡單
《還願》女主角莉芳「替聲」、《歌神請上車》第三季前三強,
音樂劇女伶陳品伶「唯一」領銜主演,
一人分飾十角,挑戰終極戲胞分裂!
Some People Are Meant to Meet
焢肉遇見白飯是命中注定
33歲離婚專門女律師的追婚之旅,
面對理想伴侶不願踏入婚姻,
她再次遇見了當年用焢肉精神默默守候她的初戀暖男…
To Marry, or not to Marry
幸福的天秤,哪一邊才是正義?
對Renee而言,身為終結不幸婚姻的離婚專門律師和想要擁有「完美婚姻」的雙重角色從來不是衝突的事情;對她而言,衝擊的只是,原來理想伴侶James和她對於結婚的想像並不在同一個頻率。
歷年好評//
張小姐
很喜歡流暢的節奏跟情節安排,一人飾多角游刃有餘令人讚嘆,
音樂與燈光轉換也引人入勝,是一部不可多得的好作品!
Z**z***chen
雖然是獨角戲卻一點也不冷場,角色之間的轉換相當快速到位,佈景的多元應用也讓人稱奇,與觀眾的互動更增添趣味性。
除了演員精湛的功力,歌曲更是貫穿整齣劇的靈魂,歌詞很精準的切中也曾經茫然過的我,在故事中,又似乎再一次的被療癒了。
H***_1111
循序漸進的故事推進,讓人想一直看下去;歌曲貫串故事的進行,一氣呵成的讓觀眾目不轉睛。
Sum*******_yl
是怎麼樣的頭腦可以寫出這樣的劇,是怎麼樣的演員能把獨角戲表演得像舞台上有18個人一樣!好看!好聽!好笑!好糾結!也好心有同感!
藝術總監|張芯慈
劇本作曲|張芯慈
導 演|高天恒
劇本顧問|吳政翰
領銜主演|陳品伶
編曲樂手|吳 凜
舞蹈設計|張擎佳
燈光設計|周佳儀
舞台設計|廖音喬
影像設計|鄭雅之
服裝設計|范玉霖
音響設計|張夢潔
舞台監督|楊尹寧
舞台技術指導|陳人碩
音響工程|飛陽企業社
音效執行|盛 涵
執行製作|蔡佳璟
行銷統籌|曾彥寧
票 務|高于珺
平面設計|葉思佑
海報拍攝|蔡昀倫 Alen Tsai Photography
海報梳化|陳逸樸 Rose Bridal Artist 新秘藝術
服裝贊助|Caspia LiLi
2020 TAIWAN TOP 演藝團隊
同時也有1部Youtube影片,追蹤數超過4萬的網紅Super Girls,也在其Youtube影片中提到,Super Girls 最新的快歌『有事發⽣』套⽤ Pop, Hip Hop, R&B, Electronic等不同的元素和嶄新的編曲設計,曲風分佈交錯,突破傳統的歌曲創作模式。舞蹈編排方面主要運用Jazz Funk舞步,加入大量起立蹲下、身體擺動等的嫵媚動作,突出身體的線條,提高難度,同時更添...
some韓國歌詞 在 謙預 Qianyu.sg Facebook 的最佳貼文
【桃花開在周杰倫】The Peach Blossom named Jay Chou(English writing below)
上星期的Youtube影片中,我談到周杰倫前世如何修到大桃花,以及桃花和個人財富的關係。
2019年9月11日2300H,久未發新歌的周杰倫推出新歌單曲《說好不哭》,兩天內就破一千萬的流量,刷下華語樂壇的新紀錄,而且在超過十個國家,包括美國、澳洲、韓國、德國、新馬港台等,都衝上了Youtube發燒影片第一名。
相比之下,蔡依林去年年尾推出睽違四年的新專輯,打破了傳統歌手唱情歌的套路,其中七首歌都有概念新穎、議論性極高的MV,但影片流量卻不敵這次「周五」的合作。
我不是蔡依林的歌迷,但她這次為專輯的付出真的讓我刮目相看 - 回顧蔡依林出道至今的「黑歷史」MV《怪美》,邀請吳君如一起拍向80、90年代香港電影致敬的MV《腦公》,邀小S拍的MV《紅衣女孩》,以及今年榮獲台灣金曲獎年度歌曲獎的《玫瑰少年》等等。
我個人很喜歡這首《玫瑰少年》。此歌以轟動一時的「葉永鋕事件」為背後故事:葉永鋕,台灣人,國中生,因不同的性別氣質而遭到同學霸凌,不敢在下課時間去上廁所。十五歲那年,葉永鋕在上課時,提前離開教室去上廁所,後來被發現傷重倒臥血泊中,送醫後不治死亡。(取之:维基百科)
而在今年五月,台灣成為第一個將同性婚姻合法化的亞洲國家,讓《玫瑰少年》更具有代表性。
再看看周杰倫這次的新歌《說好不哭》,如果你也覺得「周杰倫是我的青春」,這MV用的許多「情懷梗」,作詞人方文山,神秘來賓五月天阿信,必會讓你驚喜連連。
對我而言,這首歌延續著周氏情歌的曲風,MV拍法沒有突破,並沒有像蔡依林的專輯有那麽強大的創意和正面能量。
可是蔡依林這次別出心裁,影片流量和賺到的錢也不少,卻依然亞於周杰倫。
這一切的現象隱藏著過去世的因果。
據我根本上師聖尊蓮生活佛開示,周杰倫前世修密教的敬愛法,想必他持了天文數字的敬愛咒。他八字寫著,這一世的寫歌本領就是他修來的眾桃花投影。
這桃花非同凡響,改變了華語樂壇對流行歌的審美觀。這次《說好不哭》的MV流量、新歌銷量等,都名列前茅,新歌上線的24小時內,總銷量548.5萬張,售額1645.6萬元人民幣(S$3.2m)。
蔡依林全身都是重桃花相,但就算如此,她和幾個星期前出新歌《對的時間點》的林俊傑,也完全被周杰倫比下去。
一些聰明的Youtuber在《說好不哭》上線24小時內火速推出了自己的翻唱影片,鋼琴彈奏版,歌詞版等。這是很明智的作法,因為不用花錢就能夠沾個邊,借一借周杰倫的桃花來旺自己。如果周杰倫的八字及歌曲旺他們的八字,就會更有效。
網路搜索,加上娛樂新聞頻道的新聞報導,他們的頻道便會迅速增加訂閱和流量。
寫了這麼多,有三點要提醒大家:
1)有幸得到師尊灌頂的敬愛尊咕嚕咕咧佛母和愛染明王法的同門,請勤修此法。
有眾桃花,貴人顯著,做什麼事情真的會比較容易,賺錢也可以比別人快。我個人的修法領悟,如果抱著利益眾生的菩提心來修,效果會更不可思議。
2) 要賺錢,你速度要快。
錢如流水走很快不等人,你要懂得觀察局勢,學學那些Youtubers的掙錢速度及魄力。如果還是不會, 批八字看風水時,可請教你的師父如何迅速為自己增強桃花。
3)往對的方向,用對的方法努力,能改自己和別人的命
無論你八字中有沒有眾生緣,你要有錢,有敬愛的魅力,你都得努力地去結眾生緣,持續地去佈施,慢慢地去積累。因為再多的眾生緣,也會有用完的一天。
以上的歌手都是努力的典範,包括那些Youtubers。因為努力而產生的影響力,能引導他人改自己的運勢,你的功德可加倍。
不要一日一日地這樣荒廢青春,別把時間都給了家人,而吝於給他人。佈施要用心思,要不然,有一天福報見底時,你和你的家人就會出現資糧荒的現況了。
「聰明人將精力用於預防和積累,而蠢蛋則寄望於補救。」
..........................
In my Youtube video last week, I talked about how Jay Chou cultivated his great Peach Blossoms in his past life and the correlation between your personal wealth and your Peach Blossoms.
On 11 September 2019 2300H, Jay Chou released his much-awaited new song "Won't Cry". His MV crossed 10 millions views within 48 hours on Youtube, setting a new record for Chinese music entertainment scene, and was the #1 trending MV in over 10 countries, including USA, Australia, Korea, Germany, Singapore, Malaysia, Hong Kong and Taiwan. His latest single also crashed Chinese music streaming site QQ music in less than a hour after its release.
In comparison, Jolin Tsai launched her new concept album end of last year, after a hiatus of 4 years. The album broke out of the conventional love ballads typical of Mandopop. 7 songs in this album were launched on Youtube with very creative and artsy music videos, which attracted much online discussion.
Yet the views on her MV cannot be compared with Jay Chou's latest MV.
While I am not a fan of Jolin Tsai, I applaud her effort for this album. The Ugly Beauty MV talks about the criticisms that Jolin Tsai had received since her debut. The Hubby MV was a salute to Hong Kong movies in the 80s & 90s, with Sandra Wu guest starring. Xiao S was also invited for her Lady in Red MV. The song Womxnly won the Song of the Year in this year's Golden Melody Awards, while this album won Album of the Year.
My personal favourite is the song Womxnly, which was inspired by the sensational story of Yeh Yung-chih, a secondary school Taiwanese student who had been long bullied for his perceived effeminate behaviour and thus, never dared to go to the school toilet at break times. One day, just five minutes before school ended, he was found dead in the school’s restroom in a pool of blood at the age of 15.
In May this year, Taiwan became the first Asian country to legalise same-sex marriage and Womxnly became even more symbolic.
Let's now take a look at Jay Chou's new single Won't Cry. If you also think that "Jay Chou is my youth", the many punchlines in this MV, the lyricist Vincent Fang and the mystery guest Ashin of Mayday will have you grinning in surprise.
To me, while this song is not bad and a continuation of Jay Chou's love ballad style, it does not carry as much creativity and positive energy as Jolin Tsai's Ugly Beauty album. Jay Chou's MV was also pretty similar to many of his past MVs. There was no breakthrough.
Yet, beneath all that we have seen till now, is the karma from many past lives.
My Root Guru, His Holiness Living Buddha expounded that in Jay Chou's past life, he practiced the Magnetization Sadhana of Varjayana, and had recited an astronomical number of the mantra of Love and Respect. As stated in his Bazi, his songwriting talent this lifetime is a reflection of his cultivated Peach Blossoms of Mass Appeal.
This is an extraordinary Peach Blossom, as it rewrote the judgment standard of Mandopop. The viewership of Jay Chou's Won't Cry MV and sales volume of the single are just as astounding. Within 24 hours of release, his new song sold 5.485 million copies online and raked in S$3.2million.
The entire physical appearance of Jolin Tsai spells of heavy Peach Blossom of mass appeal. However, with Jay Chou in the picture, both she and JJ Lin Junjie who released a new single The Right Time 3 weeks ago paled in comparison.
Some clever Youtubers quickly uploaded their own covers, in less than 24 hours of Jay Chou's new song release. There were cover songs, piano versions, and lyric version. This is a very smart way of leveraging on Jay Chou's Peach Blossom luck for FREE. Works best if the song and Jay Chou’s Bazi are compatible with their Bazi.
Through online searches and online entertainment channels who report about the covers, the Youtubers get to boost their subscriber volumes and viewership at a much faster rate.
These are the 3 points I wish to highlight to everyone after writing so much:
1) To my fellow Dharma brothers and sisters who are fortunate enough to receive our Root Guru's Dharma empowerment of Kurukullā and Rāgarāja, please cultivate this Sadhana diligently.
When you have Peach Blossom of Mass Appeal, your benefactors are prominent and everything that you do in life gets easily done, even earning money is faster for you. My personal experience is that if you practice this Sadhana with the Bodhicitta heart to benefit sentient beings, the effects will be incredible.
2) If you make money, you must be speedy.
Money waits for no man. You have to know how to observe the situations and learn the money-making speed and drive of those Youtubers. If you do not know how, seek the advise of your Chinese Metaphysics practitioner, when getting your Bazi analysed or Feng Shui audit done.
3)Move in the right direction with the right method, and you can change your life and others' too.
Regardless your Bazi has mass appeal affinity or not, to have money, to have charisma of Love and Respect, you must be diligent in forming mass positive affinities. Learn to give and accumulate your way through. For no matter how many mass affinities you have, they get expedited over time.
The celebrities and Youtubers I mentioned above are examples of diligence.
When your hard work brings you the ability to influence, you will be able to guide others to improve their luck, be it you are conscious of it or not. And that doubles up your merits.
Don't squander your youth by living aimlessly. Don't blindly give all your time to your family and be miserly in giving your time to others.
Constant giving requires thought, otherwise when your good fortune hits rock bottom, you and your family will face a dire drought of life resources.
"The smart one spends his effort in prevention and accumulation, while the fool puts his hope in salvaging. "
some韓國歌詞 在 逆嘶亭 Facebook 的最佳解答
中國出品嘅綜藝節目向來非我所好,但凡留意,都一定係有想睇嘅香港藝人參與,或者抱持人皆有之嘅獵奇心觀望,因為真人騷唔真實,遊戲騷有形無神,刻意為之嘅節目效果實在不敢恭維。近日友人極力推薦《中國有嘻哈》,我唔睇由自可,一睇,驚為天人。聽完大半集噪音(中國譯make some noise做發出噪音),我忽然就後知後覺咁明白到,原來中國節目或者志不在爭奪優勝,超英趕美,以富有中國特色嘅光怪陸離突圍而出,更似係製作人嘅真正野心,只係普通人如我一直以黎誤解太深,未及發現中國綜藝嘅雄心萬丈。
就以《中國有嘻哈》為例,成檔節目由參演明星嘅聘用,到小試牛刀嘅參賽者,都係怪得令人驚訝。節目開宗明義,點出中國都有嘻哈,但參演明星一概成分不良,同中國淵源極淺。因為質問人有冇freestyle而突破柒限嘅吳亦凡,生於廣州但長於加拿大,揸加拿大護照又受訓於韓國,直至成名離隊搵真銀之前,人生大半嘅時間都同中國無關,而嘻哈嘅修為(如有)亦然。再睇潘瑋柏,美國出世,就讀台北美國學校,然後美國大學畢業,活躍嘅國家都係台灣,除咗膚色係亞洲人,識講中文,唔知佢做乜走去鄰國做導師。而張震嶽同MC Hotdog,一個阿美族,一個台灣土生土長,亦根本稱唔上中國音樂嘅代表人物。即使模糊他人身分認同再配搭銀彈攻勢迫人跪低係中國出咗名嘅手段,但一個貨真價實made in PRC嘅嘻哈歌手都搵唔到就開檔《中國有嘻哈》,掛羊頭賣狗肉以外,亦有些少暗示咗台灣有比中國更自由嘅風氣嘅政治不正確。
嘻哈音樂難以紮根於中共治下嘅疆界,其實原因極其顯淺,就係嘻哈精神唔可能喺人習慣自我審查嘅環境出現。中國嘅民眾,口齒伶俐,能夠按住節奏連珠炮發嘅多不勝數,但能夠展現態度嘅少之又少,就連已經有一定知名度嘅參賽者,都只係表演緊表面嘅嘻哈音樂。
嘻哈係美國黑人文化,之所以唔簡單稱之為黑人文化,係因為佢嘅發源地係紐約嘅Bronx,用嘅語言亦係美國嘅英文,窮困嘅黑人族群同七十年代嘅美國呢個環境都係不可或缺,反而當時部分已經擠身社會主流嘅黑人則同嘻哈關連唔大,而同樣生活水準低下嘅拉丁裔美國人亦對文化有所貢獻。地下室之中,黑人聚眾作樂,以據講古非洲文化已有跡可尋嘅饒舌方式配合節拍唱歌,而內容方面則著重表現真實想法,宣示自我叛逆,向有權者申訴對現狀嘅不滿。因此,嘻哈起初只係邊緣地帶嘅次文化,直至欣賞同跟從饒舌嘅人日漸增加,有人會趁空檔隨節奏起舞,再有人實驗性質嘗試以直接轉碟替代舊有播歌方式又竟然殺出新路,嘻哈音樂至開始為外界所發現,然後風靡美國以至全球。
正因為嘻哈文化其來有自,要忠於嘻哈,必須要貫徹嘻哈精神,至會唱得有靈魂,言之有物。即使音樂人未至於言之有物,至少要係勇於敢言,自成一格,而非隨波逐流,任人擺布。《中國有嘻哈》成堆參賽者喺演唱嘅速度,語句嘅押韻,節奏嘅準繩,姿勢嘅創新幾方面,達到一定水準嘅大有人在,歌詞倒背如流亦似乎係家常便飯,但一聽佢地嘅歌詞,內容來來去去都係用好乾淨嘅言辭去講人地點樣睇唔起自己然後自己有朝一日會點樣揚眉吐氣,全部都失真而殘缺,淪為無病呻吟。嘻哈文化積極嘅意義,係提倡直接坦蕩,即使時見鄙俗之語,露骨色情,但至少係面對自己,無所畏懼。但喺中國,獲准播放嘅節目務必要有教育意義,因此上帝鬼魂唔講得,鹹濕賤格嘢唔講得,人權平等自由意志唔講得,就連日常生活無處不在嘅粗口都唔講得——一一閹割之後,搵Eminem去rap,分分鐘都會畀人叮走。嘻哈音樂節目要求愛國愛黨,爵士音樂節目要按領導指示綵排力求萬無一失,中國式嘅點撥,中國式嘅扭曲,高不成低不就,難免空餘嘻嘻哈哈。
雖然中國同嘻哈精神因為政治氣候而零舍格格不入,但停留喺只習其形而難得其神嘅,唔只中國。嘻哈精神係黑人喺西方文化之下嘅開創嘅次文化,係受美國意識形態影響之下嘅產物,從文化精神到表現方式,其實都同東亞人固有嘅生活信條大有距離。就好似體型高挑以至壯健嘅任何女性,普遍著唔出和服嘅美感咁,喺所謂全球化嘅現代,音樂交流無可避免,但西方音樂既然由西方文化背景所衍生,當非西方人接觸西方音樂,音樂底下嘅兩套文化,亦自然難免有所碰撞,產生不適應,擦唔出火花。大多數時候,大眾認定係要黑人至唱得到黑人音樂,但事實上係身處某個環境遭受某種待遇熟習某種生活方式嘅緣故,多於身分。
東亞嘅儒家文化,對於有話直說,從來缺乏一致贊成嘅推崇,而日本文化,亦唔係以開門見山為美德。儒家文化著重人情倫理,要求人喺講出心中所想之前,考慮長幼輩分,考慮家族利益,亦強調忍讓退讓係良好品格,肆無忌憚吐出狂言,同埋不修邊幅嘅衣著,都係不得人心嘅言行舉止。人由細到大浸淫中華文化,即使喺長大之後局部西化,亦唔容易調節同擺脫長期潛移默化而習得嘅思考慣性同生活方式,要唱出嘻哈嘅粗野狂放,我行我素,可以想知,係比美國人更有難度,周杰倫高舉嘅嘻哈旗幟,或者就係一種折衷。
另外,日本人對於旁人觀感嘅關切,同埋相當敏感而含蓄嘅習性,亦都唔鼓勵人脫離本位,隨心所欲,就算心有積怨,佢地亦唔會大搖大擺咁到處聲張,惟恐一己想法無人裝載。加上日本文化習慣將外來文化在地化,嘻哈所附帶嘅來勢洶洶,互相挑釁,亦好難唔經加工就成為日本文化嘅主流。正因為文化差異,有嘻哈感覺嘅亞洲臉孔,其實都係西化得好緊要嘅人,西化到一係佢就直頭成長於西方文化,一係佢就係佢所處身嘅社會之中嘅邊緣人。呢種情況其實喺歐洲都有,例如斯堪地那維亞地區同東歐國家嘅音樂口味亦同美國有唔同,但差異或者未至於東西方之大。想像南亞寶萊塢風格結合嘻哈饒舌容易,但想像印度電影有人高唱無神論,暫時所能想像到嘅只有宗教人士嘅猛烈反擊,嘗試嘅電影公司簡直自取滅亡。
無論如何,西方文明,或者美國文化所包含嘅精神到底係現代化嘅必然進步方向,文明嘅唯一指標,定係某幾千萬人嘅自以為是,巧合稱雄而誤導世界嘅帝國幻想,直至美國霸權衰落之前,直至吳亦凡唔以自己作品進駐美國音樂榜為榮之前,都好難有定論。但正如和服係和式設計,唔會人人著得好睇,要一種服飾全球受用,本來就難免要有所割捨,甚至改頭換面,只係東施效顰而又缺乏土壤做足全套,註定比可笑更可笑。只怪如今西方依然領先,我又仍然係目光狹隘嘅美帝走狗,中國式嘻哈自暴其短,欠缺消化外來文化再另闢蹊徑嘅力量,呢類此曲只應中國有嘅娛樂,我身為外人,人生又苦短,都係無福消受。
https://gnimmm.com/2017/07/16/hiphopchina/
some韓國歌詞 在 Super Girls Youtube 的最佳解答
Super Girls 最新的快歌『有事發⽣』套⽤ Pop, Hip Hop, R&B, Electronic等不同的元素和嶄新的編曲設計,曲風分佈交錯,突破傳統的歌曲創作模式。舞蹈編排方面主要運用Jazz Funk舞步,加入大量起立蹲下、身體擺動等的嫵媚動作,突出身體的線條,提高難度,同時更添女人味。
歌詞講述故事女主⾓在感情路上受到挫敗,之後便開始⿇醉⾃己去相信「壞⼥人才有人愛」,拒絕再做乖乖⼥。⽽當中的歌詞 "Can't Touch This" 正好重點表達一種⾃我保護,主角內心交戰,對玩世不恭的感情態度充滿疑惑和抗拒,欲愛又怕受到傷害的⽭盾⼼情。而編曲的獨特設計,正好能呈現出主⾓⽭盾的⼼情和情緒的起伏狀態。
MV故事方面,一開始以⼥方的角度出發,描述⼥主角被傷害後的釋放與⾃我保護,以及和男主角之間的拉据狀態。結尾則以男⽅的⾓度表達,並以男主⾓的⼀聲 "Can't Touch This" 代表男⽅發聲,拒絕⼥方,有趣地揭露出兩性之間微妙關係。今次MV更邀得余文樂先生擔任男主角,他風度翩翩的形象以及散發的男性魅力為這個角色加分不少。
同時,希望藉此歌曲帶給觀眾對男女關係的思考空間:有時勉強⾃己去扮演「壞⼥人」、「壞男⼈」亦未必有⼈敢去愛,在認真對待、尊重愛情的大前提下,⼤家是否都可以提醒⾃己或對⽅⼀聲 "Can't Touch This"? 最後到底會不會『有事發⽣』? 都是取決於你的選擇。
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Apple Music / iTunes - https://goo.gl/KLZlRX
KKBox - http://goo.gl/Uxien1
Soliton - http://goo.gl/OF4XL3
Moov - https://goo.gl/5b6c5f
Spotify - https://goo.gl/2l3pV2
Joox - http://goo.gl/vHU0hi
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《有事發生》 (Can’t Touch This ) 3’23”
曲: 陳考威, T-MA (OP: Warner / Chappell Music , HK Ltd )
詞: 陳詠謙 ( Shoot The Lyricist admin By Universal Music Publishing Ltd )
編: T-MA, 陳考威
監: 陳考威
唱 : Super Girls
(T-Together, A- Aka, C- Cheronna, H- Heidi, J- Jessica, Y- Yanny)
[T]Can't touch this
Can't touch this
Can't touch this
忘掉了事件怎麼發生
[J]頑皮地顛倒眾生找到我的享受
[Y]從樓下轉入樓上拆掉神經鈕扣
[T]來吧來吧來吧
[A]Have some fun
[T]來吧來吧來吧
[Y]誰認真
[T]來吧來吧來吧
[C]誰被困
[T]Everybody dance now!
[H]乘坐著香檳氣泡喜歡你的荒謬
[C]由場外殺入來 魔域 我在馴獸
[T]來吧來吧來吧
[Y]Have some fun
[T]來吧來吧來吧
[H]誰認真
[T]來吧來吧來吧
[C]還未吻
[T]Everybody dance now!
[A]你 要將我逮捕 但是被管治有點早
[C]我看你不會讓路 但願輕輕撞完就好
Can't touch this
Can't touch this
[T]還是有事件即將發生
Can't touch this
Can't touch this
[T]忘掉了事件怎麼發生
[T]前一刻 彷彿親吻了你一下
[T]如果不信 親一下
[T]來吧來吧來吧
[H]have some fun
[T]來吧來吧來吧
[Y]誰認真
[T]來吧來吧來吧
[C]誰步近
[T]Everybody dance now!
[A]你 要將我逮捕 但是被管治有點早
[C]我看你不會讓路 但願輕輕撞完就好
Can't touch this
Can't touch this
[T]還是有事件即將發生
Can't touch this
Can't touch this
[T]忘掉了事件怎麼發生
[J]在這個晚上 碰上你這個人
[C] I want you baby....
[Y]在這個晚上 讓我與你活一陣
[C]you wanna get high with me?
[A]你 快將我逮捕 但是又不想你得到
[C]腦裡已充滿問號 被鹿撞心如何是好
Can't touch this
Can't touch this
[T]還是有事件即將發生
Can't touch this
Can't touch this
[T]忘掉了事件怎麼發生
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Super Girls官方連結
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Facebook:https://www.facebook.com/SuperGirlsGroup
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